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Interview with world-acclaimed Scottish photographer Colin Prior

Written by Fiona

June 22 2020

World-acclaimed Scottish photographer Colin Prior spoke to me about life, work and the idea behind his latest book that focuses on a life-long fascination of birds.

Colin Prior.

A fragile world

A childhood fascination with birds has come full circle for Scottish photographer Colin Prior as he prepares to publish a new book.

While internationally acclaimed for his stunning landscape images, especially the breath-taking panoramas of Scotland’s mountains, most recently the 62-year-old has been exploring the habitats of wild birds.

His book, Fragile, will reveal the vulnerability to change for the UK’s birds.

“My first love was birds,’ he says. “From a young age, I had an innate fascination with birdlife, especially in my home country. 

“But, over the decades, there has been a huge decline in bird species, including tree sparrow, corn bunting, starling and cuckoo, to name a few. 

“Their UK populations have been affected by more efficient farming methodology, habitat loss, the building of houses and retail parks and, increasingly, climate change.” 

His latest book is available for pre-order.

The story behind the new book

Fragile has seen Prior photographing eggs, all part of a research collection held at the National Museum of Scotland in Edinburgh. Each painstakingly photographed image of an egg is presented in a diptych with a dramatic image of a wild habitat. 

He says: “The book is a culmination of 10 years of work. My aim has also been to reconnect these eggs of wild birds with their natural habitats through imagery. I am looking forward to the public reaction to the book and to increasing awareness of wild bird populations in freefall.”

Winning photo: Gorgonia and red grouper, Red Sea

Colin’s earlier life in focus

With Prior’s keen lifetime interest in wild birds, you might imagine that he would have chosen to focus on wildlife as a photographer. In fact, it was images of the natural world captured underwater that first gave the Scot the inspiration to make a career of photography.

Prior says: “I wasn’t a natural scholar and I didn’t know what I wanted to do when I left school. I started my career working in the same company as my father, Hugh. I was an operations manager at Lincoln Electric UK.

“At the same time I got into scuba diving and I decided to take a camera underwater. My first results were terrible but I learned quickly.” 

Prior, by now in his early 20s, created a photography portfolio of images of Scotland’s coastline and the Red Sea. 

He says: “I entered the photos into a Camera Beneath the Waves competition without any expectation. I was very surprised when I won the ‘best newcomer to underwater photography’ award.”

The win was the catalyst that changed his life. 

After a stint working on a North Sea oil platform as a photo-technician, Prior soon decided to set up his own business as a professional photographer. He spent the next decade concentrating on commercial photography, which he described in that era as “lucrative”. 

He says: “Commissions came from advertising and design agencies for clients in the travel, lifestyle and leisure sectors. These paid the bills and helped to establish my reputation as a photographer.

“The money also allowed me the freedom to pursue personal projects. I experimented with different genres of photography and while the natural world, especially birds and underwater life, still greatly appealed I found this to be ‘hard fought’ photography. 

“I realised I didn’t want to be a wildlife photographer where, it felt to me, that so much was out of my control when trying to capture the perfect image.

“Instead, I found I was able to be more ‘responsible’ for the way I could photograph the landscape, in that I could be more ‘in charge’ of the creation of a strong composition.” 

Colin’s first ‘big picture’, shot on November 3, 1990, of Bidean nam Bian and Buachaille Etive Mor, from Ben Starav, Glen Etive.
Colin talks a lot about simplicity being one of the tenants of good photography. This is a good example: Stob Coire nan Lochan and the Aonach Eagach Ridge, Glencoe.

A first in panoramic photos

At this time, in the 1980s, Prior first started producing his now famous panoramic images. He says: “I could see that Scotland’s landscapes, in particular the west coast areas of Kintail, Torridon and Skye, were ideally suited to the panoramic format. 

“It’s the wide view that can be captured on a panoramic camera, rather than the wide angle on other cameras, that I knew would work so well. I felt that this format would be something new and exciting.”

Yet there is more to Prior’s work than simply finding the right scene. “When I am taking the perfect photo, I am like a conductor in an orchestra,” he says. “I am creating a fusion of unrepeatable light and strong composition. 

“The best photographs do not happen by accident, rather they need to be planned so that images can be captured at exactly the right time. 

“I think you need to really know the mountains to understand their rhythms and then become part of them. The whole process demands patience, literally waiting hours for one second, or in my case, years for one second.”

The result of his captivating images quickly gained worldwide recognition. His photos were widely published in magazines and also in two of his first books, Highland Wilderness and Scotland – The Wild Places. 

Prior said: “The magazines loved the photos because they looked great across a two-page spread.  The impact is so absorbing and dramatic. When you see a scene in the panoramic format you are instantly there; suddenly amid the landscape. There is no distraction from the foreground.” 

Appreciation for his work came from an unexpected place, according to Prior, when British Airways then commissioned him over four years to photograph corporate calendars. The briefs took him around the world many times, to some of the remotest corners and to experience many indigenous cultures.

He says: “It was an amazing time in my career and such an incredible opportunity.”

Colin’s final panoramic photo and another that he loves. Marsco and Garbh-bheinn, Red Cuillin, from Blaven, Skye.

Family and work

During the same decade, Prior met his wife Geraldine. Having grown up the eldest of three children to Hugh, now 88, and mum Olive, who has passed away, in the Glasgow suburb of Bearsden, Prior moved with Geraldine to Pollokshields, on the city’s southside, and then to Bothwell, South Lanarkshire. 

The couple, who have two children, daughter, Alexandra, 28, and son, Laurence, 25, still live in the same house.

Prior says: “I have run my business from home for a long time and Geraldine is part of that, too, as a director. We have extended family living locally, too, and I like the area very much. I have easy access to the countryside and I enjoy walking nearby.”

Four decades after starting his photography business, Prior is still busy with work. He says: “When you work for yourself, you have to be banging the drum all the time. I am constantly working or thinking about work. You need to be creative, adapt to the changing world and thinking of new ways to earn a living.

“These days, I am busy still with photography commissions. I have also been working on another project, photographing the Karakoram mountains of Pakistan. These images will be published in another book later this year.

“I have a programme of photography workshops, which I mainly run in north-west Scotland, and these have proved popular and very rewarding. I enjoy teaching people about photography as a vision, like the expression of an artist and not purely by technique alone.” 

Giant Daisy (Leucanthemella serotina) and Barley, Main of Bridgeton, Angus. Credit: Colin Prior
Glen Strathfarrar Forest. Credit: Colin Prior
Ariundle oakwoods, Strontian, Ardnamurchan. Credit: Colin Prior
Eilean Molach, Mangestra, Lewis. Credit: Colin Prior

Embracing digital

In 2012, Prior finally sold his panoramic cameras and more fully embraced digital technology. He says: “I had done all I wanted to in the panoramic format and it was becoming a hassle with processing and scanning of the photos. It felt like I was in a creative straitjacket. I decided then to hunt for a new game.

“I am now finding new challenges with digital cameras. I think it is important to continue challenge myself.

“A good example is the Fragile project. I could have photographed wild birds but I wanted to do something different. The process of the work was absorbing and rewarding. It has utilised old skills and new techniques. 

“It has felt like a very personal project, too. I have seen birds vanish from local areas I’ve frequented all of my life and I am very keen to get across a conservation message with this latest book of my photography.”

Did you know?

  • Prior was the most recent recipient of a prestigious accolade, the Scottish Award for Excellence in Mountain Culture 2020.  The award, presented by the Fort William Mountain Festival, celebrates “a mountain hero for their achievement, accomplishment and the spirit of adventure”.
  • He has produced seven books, soon to be nine, that include, The World’s Wild Places and Living Tribes.
  • He was the subject of two BBC documentaries in 2018/19 entitled Mountain Man. 
Karakoram in Pakistan: K6 and Fathi Brakk Towers, Charakusa Glacier. Credit: Colin Prior.

New books, photo sales and workshops

Two books by Colin Prior, Fragile: Birds, Eggs & Habitats and The Karakoram: Ice Mountains of Pakistan, by Merrell Publishers, are available for pre-order.

Colin’s passion for mountains and wild places is shared with others through regular photography workshops and tuition. You can also purchase photos and books. See Colin Prior website.

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